all arts



Walking In Olmsted's Footsteps: Tours Of Emerald Necklace Parks

Franklin Park. (NPS/Olmsted National Historic Site)


“The root of all my good work is an early respect for, regard and enjoyment of scenery… and extraordinary opportunities for cultivating susceptibility to the power of scenery,” Frederick Law Olmsted (1822-1903) wrote in the 1890s.

The great landscape architect moved his office from New York, where he designed the landmark Central Park, to Brookline in 1883 as he was working on the park system we now call Boston’s Emerald Necklace. It connected the existing colonial-period Boston Common and 1837 Public Garden with his new Jamaica Pond, Arnold Arboretum and Franklin Park.

The National Park Service’s Frederick Law Olmsted National Historic Site, based out of Olmsted’s former office, is leading free, public tours of four sites affiliated with Olmsted or his firm over the next month, beginning with Jamaica Pond at 10 a.m. Sunday, Sept. 29, then Franklin Park on Oct. 6, Arnold Arboretum on Oct. 20, and the Blue Hills on Oct. 27.

Franklin Park. (NPS/Olmsted National Historic Site)

Franklin Park. (NPS/Olmsted National Historic Site)

Franklin Park “is kind of the classic Olmsted Park,” along with Central Park and Prospect Park in New York, says Alan Banks, supervisory park ranger with the Olmsted Historic Site. “It is the classic complete escape from the town, as Olmsted would put it.”

The Boston park’s mix of open meadows (“to give you a sense of freedom”), woods, and pond are an example of the “country park” that grew out of English gardens and the rural cemetery movement (local examples include Forest Hills Cemetery in Boston and Mount Auburn Cemetery in Cambridge). Olmsted aimed to promote shared, democratic access to parkland, while also seeking to foster public health via exercise and access sunlight, things that were growing restricted in increasingly crowded cities and factories of the Industrial Revolution. (Another Olmsted project along the Emerald Necklace was cleaning up the fetid, polluted Back Bay Fens.)

“Olmsted, when he was designing landscapes, he was designing them for a real social purpose,” Banks says.

“Service must precede art,” Olmsted himself once wrote, “since all turf, trees, flowers, fences, walks, water, paint, plaster, posts and pillars in or under which there is not a purpose of direct utility or service are inartistic if not barbarous. … So long as considerations of utility are neglected or overridden by considerations of ornament, there will be not true art.”

At Jamaica Pond, Banks says, Olmsted showed a light touch. His efforts focused primarily on showcasing the existing glacial kettle hole pond. “A lot of it was removing trees to open up views. In a lot of ways, Olmsted opened up the park that lied beneath a lot of those things,” he says.

Arnold Arboretum under construction in the 1870s. (NPS/Olmsted National Historic Site)

Arnold Arboretum under construction in the 1870s. (NPS/Olmsted National Historic Site)

Arnold Arboretum, Harvard’s living library of trees, isn’t a classic Olmsted design because its rigorous cataloging in neat rows counters his signature compositions of series of contrasting, natural-seeming, but idealized landscapes. “He did the best that he could working within restrictions,” Banks says.

The Blue Hills Reservation was not designed by Olmsted, but protected by Charles Eliot, a partner in Olmsted’s firm and son of then Harvard University president Charles W. Eliot. It shows how Olmsted’s sense of land relates to the conservation movement signaled by the naming of Yellowstone as the first national park in 1872, the year Arnold Arboretum was established.

Along with securing the Blue Hills, the younger Eliot was also involved in preserving Revere Beach, the first public beach in the country in 1896, and the Middlesex Fells Reservation. And he was one of the founders of the land conservation group, The Trustees of Reservations.

Eliot saw that “large natural areas were slowly, but surely getting destroyed. This was their one chance to collect these New England landscapes,” Banks says.

The parks we have today are examples of his vision—and his success.


Please follow our community rules when engaging in comment discussion on this site.
  • fun bobby

    Worcester’s Elm park was one of Olmsted’s early works. I hope everyone goes on this tour before the govt shuts down on Tuesday. I wonder if the tour will talk about how Olmsted went insane

  • FrankO

    The Bowker Overpass slices through the Charlesgate Park, a key section of the “Emerald Necklace” (a National Registry of Historic Places site, designed by none other than Fredrick Law Olmsted), casting its shadow over an essential & fragile wetland, the Muddy River basin where it meets the Charles River. Olmsted considered this area to be a pivotal part of his design for Boston’s integrated park system, since this was the point where the Commonwealth Ave. Mall connected to his Emerald Necklace, as well as to the Charles River Esplanade, which Olmsted had envisioned but was not yet constructed.

    There are alternatives to rebuilding the Bowker and handling its traffic, while actually saving taxpayer money. Please tell the state to cease and desist their current plans for a major rebuild of the Bowker Overpass and instead perform the minimal repairs needed to keep the Bowker safe and operational until the issue of removal is addressed in a meaningful way. Please sign the petition (link below) urging the Commonwealth to implement one of the alternative plans available, which would help restore the area to a parkland much more in keeping with Olmsted’s vision, while continuing to provide for the needs of the commuting public.
    You can sign this petition by clicking here.